I was introduced to tarot by a cousin when I was in middle school, but I really got into it during a period of uncertainty when I moved to Orange County. Much like what I had to do when I relearned how to use the Commodore Amiga computer to write Amiga, I had to relearn tarot spreads and how to interpret the cards. Fortunately, I found a number of resources on social media, including Biddy Tarot and Way of Light Tarot.
There are also lots of good learning decks, especially Tarotorial by Raven and Rogue. For my novel, I'm going back to the Hanson-Roberts deck I used in the 1980s. The imagery connected with me, and it also connects with my main character.
The other challenge is using my favorite characters, themes, and tropes in different ways. If you have a go-to author you like to read, just like I binge-read Vonnegut in college, you'll notice that the author repeats certain themes and types of characters throughout their books. That's why you like that author, because those elements connect with you. But if the author isn't careful, they can be redundant and turn you off.
For Trevor and the Eight of Swords, I'm finding new ways to cover themes and character situations I find important. It uses a different genre (dark romance), story structure (single first-person), and tells a different kind of story of two people with deep traumas who get passionately involved in an impossible relationship.
The key difference is I'm writing Trevor in a different world than I did for my other novels. This book is a commentary about (and a rejection of) the beliefs and fears that caused this world to take place.
I'll keep you posted on my progress with Trevor and the Eight of Swords and Christina's Portrait, which is still in submission. You can find my latest news on my social media and website. |